boss multi effects pedal bass Boss GT-1B Bass Multi Effects Processor
SKU: 23357718495
boss multi effects pedal bass

boss multi effects pedal bass Boss GT-1B Bass Multi Effects Processor

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Description

boss multi effects pedal bass Boss GT-1B Bass Multi Effects ProcessorPREMIUM BASS TONE IN AN ULTRA COMPACT PACKAGE The GT 1B gives bass players a massive range of pro tone shaping power in a small and robust package. Backed by BOSSs premium sound engine, you have full access to a huge selection of bass optimized amps and effects for stage and studio playing. The streamlined interface lets you dial in sounds fast, while the onboard control switch and expression pedal enable you to adjust multiple effects in real time.

PREMIUM BASS TONE IN AN ULTRA-COMPACT PACKAGE

The GT-1B gives bass players a massive range of pro tone-shaping power in a small and robust package. Backed by BOSS’s premium sound engine, you have full access to a huge selection of bass-optimized amps and effects for stage and studio playing. The streamlined interface lets you dial in sounds fast, while the onboard control switch and expression pedal enable you to adjust multiple effects in real time. And by connecting to BOSS TONE CENTRAL, you can download new patches, editing software, and more. Compact, rugged, and battery powered, the GT-1B is the ultimate mobile tone companion for every bassist.

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Premium Tone Tools for Bass
Equipped with a bass-tuned version of BOSS’s most advanced sound engine, the GT-1B is absolutely packed with top-quality sound tools. A wide range of preamps are available for shaping your core tone, including updated favorites from the GT-10B and two all-new models. Premium MDP effects like limiter and distortion feature advanced BOSS tech to maintain your instrument’s character and response, enabling free-flowing musical expression. Graphic EQ, T-Wah, and other essentials are on hand too, plus impact effects such as Harmonist, Bass Synth, Defretter, and more. There’s also a complete array of mod, delay, and reverb effects, and even a looper for jamming and on-the-fly creativity.

Mobile Powerhouse
The GT-1B is designed for bassists on the move. It’s surprisingly lightweight and compact, making it ideal for tight stage setups and situations where you need to travel light. The rugged modern design is easy to slip in the accessory compartment of a bass bag, with no worries of hard edges causing damage to your instrument. AC or battery power provides flexibility for any performing situation, so you can always take your tone with you everywhere you play.

Sound Creation Made Easy
With the GT-1B’s intuitive interface, it’s simple to build sounds and fine-tune parameters, even if you’re new to multi-effects. Dedicated buttons provide instant editing access to each effect category, which you can adjust straight away via three panel knobs. The buttons also function as on/off switches, and feature status indicators that let you see which categories are enabled at a glance. 

BOSS Tone Central and BOSS Tone Studio
At BOSS Tone Central, you’ll find a wide selection of free patch collections for the GT-1B. Programmed by top bassists, these patches are dialed-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1B, as well as integrated access to all the patch collections at BOSS Tone Central.

Pro Control in a Compact Space
The GT-1B’s three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, pitch shift, and various effects parameters. If you crave even more control, there’s a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1B’s USB jack lets you record tones directly to your favorite DAW.

Features

  • Premium BOSS sound engine specially tuned for bass
  • Pro-level amps and effects in a light, compact floor unit
  • Essential tools on board for optimizing your core bass tone
  • Includes advanced MDP effects for maximum musical expression
  • Modern design with no hard edges enables safe transport in an instrument bag
  • Easy Select and Easy Edit functions for quickly choosing and tweaking patches
  • Four AA batteries provide approximately seven hours of mobile playing time
  • Onboard control switch and expression pedal; footswitch/expression pedal jack and USB
  • Download pro patches and editor software for free at BOSS Tone Central

Specs

  • Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type, CTL2, 3/EXP2 jack: 1/4-inch TRS phone type, AUX IN jack: Stereo miniature phone type, USB COMPUTER port: USB type B, DC IN jack
  • Power Supply: Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
  • Current Draw: 200 mA
  • Expected battery life under continuous use: Alkaline: Approx. 7 hours, * These figures will vary depending on the actual conditions of use.
  • Accessories: Owner's manual, Leaflet "USING THE UNIT SAFELY", Alkaline battery (AA, LR6) x 4
  • Options (sold separately): AC adaptor: PSA series, Footswitch: FS-5U, FS-5L, FS-6, FS-7
  • Expression Pedal: FV-500L, FV-500H, EV-30, Roland EV-5
  • Width: 305 mm, 12-1/16 inches
  • Depth: 152 mm, 6 inches
  • Height: 56 mm, 2-1/4 inches
  • Maximum height: 74 mm, 2-15/16 inches
  • Weight (including battery)1.3 kg, 2 lbs 14 oz

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SKU: 23357718495

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Ken Kardash
Boise, US
★★★★★ 4
Rediscovering America
This is an eye-opening, scholarly rebuttal to common perceptions about native American society before and after the European invasion. Ronald Wright makes no secret of his bias in favor of the people who were here first; in fact, he enhances the impact of what for many will be new information by presenting this extraordinary history from the point of view of the conquered. He also makes clear how large a part of the conquest was due to immune system rather than military deficiencies: if smallpox and other diseases had not done killed most of the native population, the facts recounted here suggest that history, particularly in South America, may have evolved quite differently. In undertaking the massive task of recounting the invasion of all of the Americas, some selectivity is inevitable. Wright has chosen to focus on the story of five distinct native groups: Aztec, Maya, Inca, Cherokee and Iroquois. He then arbitrarily subdivides the story into three consecutive time periods: Conquest, Resistance and Rebirth. After the physical and political annihilation recounted in the first two sections, the title of the third may seem overly optimistic, particularly for the Guatemalan Maya. However, the concluding tone is more conciliatory and hopeful than mournful, particularly in the Afterword that updates matters to 2005, 13 years after the original publication date. The astounding amount of research involved in producing this admittedly selective overview is well-indexed and annotated. My only quibble is that Wright, obviously an expert in the field of native culture, sometimes borders on the compulsive in matters of linguistic authenticity. I did not buy this book to learn ancient native languages, let alone their pronunciation, and at times I found the inclusion of such trivia distracted from rather than enhanced the otherwise convincing scholarship. This obsession with accuracy is commendable, but after getting it out of his system in the Author's note, his amazing narrative would have been no less compelling if he stuck to the language of his contemporary audience. Also, for an author who has settled in British Columbia, it is strangely disappointing that the rich history of the Pacific Northwest coastal natives was not among those he chose to examine. I had read Charles Mann's "1491" prior to this book and found it primed my interest in the subject; both are excellent introductions to the reality of pre-Columbian American societies, but Stolen Continents provides more of a historical context for what has become of them.
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Reviewed in the United States on October 13, 2008
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Irving Dozier
Carnegie, US
★★★★★ 5
... true things that really went on to know very great
Format: Hardcover
lots of true things that really went on to know very great book
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Reviewed in the United States on October 13, 2016
A
A. Jimenez
Port Orchard, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
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Terry L.
New York, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
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George Vargas
Pawtucket, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017

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